Marx Brothers At The Circus Torrent
Audience Reviews for At the Circus. Chico assists Jeff and Harpo is a clown in the strong man act. This is probably the source of some of the inspiration for La Strada. Carter for some unknown reason wants to ruin the circus, but somehow keep it for himself too. He has Arden as Peerless Pauline, Pendleton as Goliath, a midget.
Embezzler, shill, all around confidence man S. Quentin Quale is heading west to find his fortune; he meets the crafty but simple brothers Joseph and Rusty Panello in a train station, where they steal all his money. They're heading west, too, because they've heard you can just pick the gold off the ground. Once there, they befriend an old miner named Dan Wilson whose property, Dead Man's Gulch, has no gold. They loan him their last ten dollars so he can go start life anew, and for collateral, he gives them the deed to the Gulch. Unbeknownst to Wilson, the son of his longtime rival, Terry Turner (who's also in love with his daughter, Eva), has contacted the railroad to arrange for them to build through the land, making the old man rich and hopefully resolving the feud. But the evil Red Baxter, owner of a saloon, tricks the boys out of the deed, and it's up to them - as well as Quale, who naturally finds his way out west anyway - to save the day.
Movie At The Circus
The Marx Brothers' 'Go West' is a vastly underrated gem. Admist a few comparatively disappointing later years Marx movies, it was certainly the strongest. I grew up on the Marx Brothers via my father (even though most of them were made before he was born as well), and ended up liking them so much I eventually bought every movie they made, and most of the documentaries, three single Groucho movies, two sets of 'You Bet Your Life' episodes, and even 'The Story of Mankind,' featuring the three primary brothers, though in small parts in separate segments.(Many books by and/or about them too.) In any case, I'm a huge fan.
Even with all this, I admit that there are a handful of pretty weak Marx films. Love Happy was pretty awful on most levels, though little Harpo bits, and one or two Groucho lines give it its only very brief redemption. The Big Store was also pretty fairly terrible, with again, the only worthwhile notes being a few Groucho quips, and a few Harpo physical bits.
Room Service and At The Circus as well suffered, as all their movies after the big MGM ones (Opera & races) did, due to the studios lack of interest and confidence in putting money and attention into the productions. Room Service and At the Circus both felt like they should've and could've been more, though each had a handful or more of perfectly enjoyable moments. And re-watching A Night in Casablanca (which at least a little more time and money was put into for what she really be considered their true final film, rather than the slapped together for quick cash 'Love Happy', which was originally a Harpo solo project), I've come to realize that Casablanca is stronger than I remembered, but still felt stale for much of it compared to their classics. So I suppose I better get the reason for this review- So, in the middle of all these lesser like, later years fare, came Go West (in 1940). And I have to say, it has gotten an unfair rap from fans, critics and Groucho himself (though he was that way about much of their movies, sadly). I think, even with it's slapdash absurdity and overwrought gags, that it holds up better, and has better, more solid comedy than any of they other movies after A Day at the Races. In fact, and I know I'm essentially alone in saying this, but, I actually find it more entertaining than A Day at the Races (I think).
There are some brilliant moments/lines for three brothers that felt more akin to there early madcap movies (the best ones), and I even enjoy the silly songs, and western pastiche elements, and the physical gags are stronger than the movies before and after as well. In any case, fans (and critics too) should give it another watch, and just let it try to entertain you, it really is a lot of fun, and hilarious.
Contrary to popular belief, Cocoanuts was not the first Marx Brothers movie. That honor belongs to Humorisk, a silent film which no longer exists. It was greeted with such hostility that one master reel was burned, and the other deteriorated in a producer's closet. It is difficult to imagine Chico and Groucho in a silent film, and while one might envision Harpo as the ultimate silent comedian, his whistling and horn-honking formed an essential part of his act. By 1929, however, sound was here to stay, and many silent comics suddenly found themselves out of work. In fact, the only two comedians to successfully make the transition from silent to sound were Laurel and Hardy (Chaplin didn't make his first sound movie until 1940, and was never comfortable with sound).
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Comedy teams like Stan and Ollie and the Marx Brothers needed dialog; even Harpo communicated with his brothers using broad gestures and the aforementioned honks and whistles. The biggest story of 1929 (besides the stock market crash) was the Florida land boom.
Hammer (Groucho) is the manager of a struggling hotel, trying to lure customers so that he can sell them Florida lots. Of course, Astoria, Long Island, where this movie was filmed, is not exactly the Sunshine State, and the opening tribute to 'sunny Florida' shows us some sand poured on a sound stage to simulate a beach and a painted backdrop of palm trees and coconut. Groucho pursues the rich Mrs. Potter (Margaret Dumont), whose daughter Polly (Mary Eaton) is in love with Bob Adams (Oscar Shaw).
Also interested in Polly (or rather, her mother's money) is Harvey Yates (Cyril Ring). Together with his parter Penelope (Kay Francis), they decide to steal Mrs. Potter's expensive necklace and blame it on Bob, easing the way for Yates to marry Polly. The highlight of the film is the famous 'Why a duck?' It's Chico versus the English language, and guess who wins?
When Groucho tells Chico that there's going to be an auction, he replies: 'I come from Italy on the Atlantic Auction.' When Groucho talks about levees, Chico thinks that's the Jewish neighborhood. When he asks him what a radius is, Chico responds that it's WJZ, at that time a popular New York radio station. And when it comes to the word 'viaduct' he is totally lost. Groucho: 'Here's a little peninsula and here is a viaduct leading over to the mainland.' Chico: 'OK, why a duck? Waya no chicken?'
Having been told by Groucho to keep the bidding high during the auction, Chico, in a very funny scene, takes over the whole show, refusing to let anyone else in on the action. As far as the music is concerned, it is difficult to imagine Irving Berlin writing such drivel as 'When My Dreams Come True' and 'Monkey Doodle-Do.' The former is sung in a duet between Mary Eaton and Oscar Shaw (whom Groucho described as 'strictly no-talent'). Indeed it's hard to determine which is worse-Shaw's acting or his singing.
There was a song written for 'Cocoanuts,' however, that was rejected because it made the show too long. It became one of Berlin's greatest hits.
Marx Brothers At The Circus Torrent 2016
The song was 'Always.' The print quality varies from good to fair.
Marx Brothers At The Circus Torrent Full
It appears that Universal spliced together scenes from several different prints to make one entire movie.