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Transformers: Prime is a multiple Daytime Emmy Award-winning television series that premiered on on, with a five-part mini-series, which was followed by a season of another 21 episodes beginning on,. Season 2 began screening, and a third season of thirteen episodes with the subtitle began screening on,., a TV movie, concluded the show on, 2013.

The Canadian broadcast of the series has been undertaken by Corus Entertainment, and the show aired on Teletoon from 2011 to 2013. The series premiered in the UK on, 2011 on 's ' block. It began airing in Japan on, 2012 on.

A follow-up series called began airing in early 2015. Contents. Story lives on, three years after their last confrontation with. Is located in a converted silo in provided by the government, with Special Agent acting as their liaison. However, the presence of on Earth is not generally known among the civilian population. When the Decepticons resurface, the Autobots take three teenage witnesses, and under their protection.

Returns having discovered, which grants him the power to resurrect the dead, but is injured, with taking command in his absence. After Megatron's revival, Starscream flees after repeatedly showing he is unable to prove his loyalty to the. The Autobots and Decepticons eventually make the startling discovery that Earth is in fact the body of, forcing them to ally and prevent his consciousness from reasserting control over the planet. Unleashes the, but at the cost of losing his memory, thereby allowing Megatron to manipulate him into joining the Decepticons' ranks.

By using information from downloaded to the, Jack restores Optimus's memory. The Autobots also contend with the human terrorist organization, headed by former military operative Leland Bishop, aka, who targets the Cybertronians for their technology, capturing, and Starscream for parts, and building a controlled by Silas.

In the ensuing confrontation, Silas is fatally injured, forcing MECH to graft him into Breakdown. With this new body, Silas destroys his own organization and attempts to join the Decepticons, only to become 's new dissection study. The Autobots and Decepticons' struggle becomes a competition for Cybertronian artifacts strewn across the planet, which turn out to have been placed there by, who foresaw the Autobots coming to Earth.

Trion also orders them to find the, which will activate the and restore Cybertron. Though the keys are successfully gathered, Megatron gains possession of them and attempts to use the Omega Lock to Earth, forcing Optimus to destroy the Lock to save Earth. Megatron responds by destroying the Autobot base, and Optimus is mortally wounded staying behind to ensure everyone else escapes through the. From his newly-erected fortress, Megatron reestablishes contact with, learning the scientist has cloned a for the intent of hunting down the Autobots.

The Autobots regroup following 's arrival, while restores Optimus with the. After destroying Darkmount, the status quo is restored, with the Autobots based at a, while the Decepticons retreat to orbit Earth in the once more. The Autobots learn of Project Predacon and race the Decepticons for the location of Predacon fossils, to prevent Shockwave from cloning more of the beasts. Ultimately, Megatron manipulates the Autobots into destroying the project when he discovers is intelligent, and therefore a potential power rival. Instead, he turns his attentions to rebuilding the Omega Lock. After the Decepticons kidnap to help in their plan, the Autobots assault the Nemesis and capture the ship, killing Megatron before he can use the Omega Lock to cyberform Earth.

The Autobots use the Omega Lock to restore Cybertron and settle back on their homeworld. The new peace doesn't last, as Cybertron's revival reawakens the slumbering Unicron, who takes Megatron's lifeless body as his own and seeks to destroy Primus. As Optimus retrieves the, Autobots, Decepticons, and Predacons unite under Bumblebee and Predaking to face the Chaos Bringer in defense of their home.

Optimus sacrifices himself to seal away Unicron and restore the AllSpark to its rightful place while Megatron disbands the Decepticons and goes into self-imposed exile. GET OFF MY FACE!!! After the, screenwriters and signed to become show runners with and of The Hub's Transformers cartoon, explaining the TV show would not have the constraints of a two-hour film in delving into the mythology. (Orci's employees and were also credited as producers.) The show runners were given the ', a near 400-page that had been working on since the movies, that combined elements of the most popular. The show's title was based on the desire to create a master continuity and a literal. Whereas the movies were about a and his, the dynamic between the kids and the robots on the show was meant to be more like. The writing staff was headed by Capizzi, with as the story editor.

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The staff consists of, and. Kline said they wanted the show to be very cinematic, with tension, suspense, and danger (as marked by Cliffjumper's death in the pilot) as children are more media savvy than they were in the past. Regardless, they had to be considerate as the show still had a broad audience. As part of the with and, the producers strove to maintain many of the common elements (eg. Optimus and Megatron's past friendship, Dark Energon's origins as 's blood, sharing his film counterpart's backstory), but were allowed contradictions if it served the storytelling.

By using the mammoth story bible, the writers could plan events years in advance. The large number of episodes per season meant they could pace and establish characters during season 1 slowly, while saving the more momentous, less stand alone episodes that delved into the backstory for season 2. Some of the plot ideas (namely the ) were based on stories they came up with when playing with the as kids. Has written some episodes. Designers include (colors), and (backgrounds), and (lead character designer).

Vacher wanted to do something different from traditional animation and saw something edgy about Prime. According to, the show's characters were formed by hiring freelance conceptual artists like himself. The submitted artwork was given Lopez's staff to be examined, and they incorporated the ideas they liked best. Other concept artists include and. Supervising director headed a team including, and. Provided the, for which performed a recruitment drive for before the show began production. Lopez said the animation would be a 'groundbreaking mix of 2D animation and CGI'.

Each character has three CG models: the robot mode, their alternate mode, and one for the transformation. Lopez said the designs were personality driven, and that the 3D animation allowed them to go 'crazy' with the transformation schemes. In contrast, the characters were given realistic textures, and are subject to battle damage during episodes. A show on the level of Prime would take two years to produce, but the animators only had ten months. Five episodes are animated at a time (hence the monthly gaps during the first season).

The staff had three years of story planned, but while writing it became clear that the escalating storylines made it impossible to maintain self-contained episodes and they burned through those planned three years within the second season. The idea of incorporating Beasts into the third season was a late idea.

Was the casting director, but was replaced as voice director by following a death in her family. Composed the show's and background music. Served as music arranger.

Said in 2015 that Prime and Hasbro's design team had often clashed on story (the writers wanted more autonomy from the ' and Hasbro wanted a more streamlined franchise), which came to a head on Beast Hunters. The show also went overbudget (each episode cost $1.6 million) and The Hub itself didn't have as many people as planned, dooming the show despite plans for a fourth year.

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Dropped plans included a S3 set mostly on Cybertron, with Maximals and Predacons in a 'wild west' set up and an idea for in S4. In turn, this also derailed plans for a massive Avengers-style crossover project for Hasbro properties, launching off the end of Prime called Unit:E, which began as a, and had seeds planted in various episodes (implying Agent Fowler worked for, plus mentioning and ). Reception Transformers: Prime has recieved widespread acclaim, even from outside of the Transformers fandom. Over the course of the show's run-time, it won nine Daytime Emmy Awards, two CINE Awards, and was nominated for several more, as well as consistently ranking as one of the Hub's most popular programs. Within the fandom, the show quickly won fans over, an impressive feat for the chronological successor to the widely-loved. Qualities particularly celebrated include the cinematography, visuals and animation, voice acting (including the return of and to the roles of Optimus Prime and Megatron, something the actors themselves rejoiced over), and characterization. There is also a great deal of praise given to the serious, more mature storytelling of Prime that had not been attempted in Transformers media since.

For all of these reasons, it is usually considered one of the best Transformers cartoons. That said, the show is not universally loved, and not just because.

In the second season, the show's aforementioned budget problems were the cause of some of the most common complaints: in addition to necessitating two (an all-but-extinct concept in cartoons in the 2010s), the cashflow crisis caused several plot threads to suddenly be dropped or truncated in order to shrink the cast; and were abruptly killed or written out (respectively) despite being a feature of active subplots in order to eliminate the cost of their celebrity voice actors, as were characters performed by actors that were not part of the 'main' cast, like, and. Other complaints focused on the lack of buildup or foreshadowing for certain major threats like and the Predacons; in the case of the latter, former Hasbro employee confirmed that this was the result of Hasbro staff changes forcefully altering the direction of the show from what was intended. Another criticism had been made towards the lack of weight given to character deaths beyond Cliffjumper, usually resulting in anticlimax. A minority also lamented that the expensive animation budgeted the number of character models they could render, and thus led to a relatively small cast and an isolated setting. Super Robot Lifeform Transformers: Prime (超ロボット生命体 トランスフォーマー プライム Chō Robot Seimeitai Transformers Prime) began airing in Japan on affiliate, beginning, 2012, with an 8am Saturday morning timeslot (the same channel and timeslot as the previous two Transformers cartoons to air in Japan).

It ended its 52 episode run on, 2013. To reflect Takara's unique marketing strategy for the toyline—the prominent gimmick of the non-show —the series included CGI-animated cartoon shorts starring those little robots, called ', at the end of every episode. The shorts centered around the Arms Microns maintaining an undercover presence amongst the Autobots, who are not even aware that their weapons are alive. Another additional segment titled ', hosted by the popular J-pop idol group, was also tacked onto each episode.

These segments featured the idol girls interacting with in order to relay important facts about the Transformers franchise to the audience. These facts usually involved promoting the newest toys and merchandise available as well as offering tutorials on how to transform the toys (much like the segments from ). Due to the longer and end credits, as well as the two additional bonus segments, each episode had approximately three minutes of content removed for time constraints. Many of these edits were to reduce environment pans or establishing shots. However, as the show was reworked to appeal to a younger audience (as all Western Transformers cartoons are when localized for Japan), the violence during the fight sequences was edited for content.

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Like all Japanese dubs of Western Transformers cartoons, transformation commands were added, such as shouting 'Transform!' Additionally, whenever a character popped their weapon out of their hands/arms, they screamed 'Arms Up!' Text was overlayed on the screen whenever a character first appeared in each episode, providing their name and function.

In addition, promotional text for various Transformers-specific campaigns from TakaraTomy scrolled by over the episode as things were happening, which could be kind of. Like the dubs of, Beast Wars Metals, and, the localization of Prime was headed up. As is his way, Yoshikazu had the humor ratcheted up considerably.

Self-aware, Fourth Wall-breaking jokes were added. An example occurs as early as the end of ', when the manipulator arm turns into a spider-like creature and starts crawling around.

In the dub, Ratchet thinks he hears the audience telling him to watch his back, but brushes their concerns off as unimportant. Characters were also fundamentally altered to be more humorously quirky., for example, was changed into a female parody of; boy-crazy and single-mindedly amorous in her pursuit of. As with Yoshikazu's previous efforts, ad libbing was utilized extensively to soften tension and suspense; the characters talk a lot.

On, 2012, TV Tokyo aired the ' hosted by, and. The special featured a recap of ' thru ', brand new 'From the Cybertron Satellite, Transformers Division' and 'Arms Micron Theater' segments, various cast interviews and commentary, and a special comparison between the original English language version of ' and the radically different Japanese language version. The Japanese version of Prime only ran for 52 episodes (the first two seasons of the original English language version). ' was edited and reworked to function as a series finale. This mainly involved rescripting the ending and cutting the cliffhanger so as to give the show a more ambiguously positive send off; Optimus Prime valiantly holding the line as Megatron looms over him in the Nemesis. The era of the Prime franchise was rebranded by TakaraTomy as a new franchise,.

While the Beast Hunters toys were marketed and sold in Japan, it is currently unknown when or if the remaining 13 episodes of Prime and the film will ever be released in Japan. The are:. OP 1: ' by. ED 1: ' by. OP 2: ' by.

ED 2: ' by. OP 3: 'TRANSFORMERZ (version 2.0)' by feat. Ken Oshima. ED 3: ' by Home video releases.